 | | | | | | | | | | | |  |  | | |  | | | |  | | | GENERATORS | ALL | routed to two parallel filters with adjustable balance | | | 4 generators simultaneously available | | | adjustable volume per generator | | | finetuning per generator | | | | | OSCILLATOR | adjustable spread per oscillator | | | switchable freerun | | | improved quality | | | | | TIME SAMPLER | adjustable spread per oscillator | | | | | SCHRADER | adjustable spread per oscillator | | | improved quality | | | | | LOOP SAMPLER | up to 64 samples per loop sampler (8 banks of 8 samples each) | | | adjustable volume and keyranges | | | adjustable velocity ranges with velo-switching and velo-crossfade | | | reverse sample playback | | | larger sample display with zoom and scrolling | | | switchable snap to zerocrossings for looppoints | | | |
| | | FILTERS | ALL | two parallel filters | | | pre-saturation for each filter | | | new Free Filter type | | | pan for each filter | | | full automateable X-Y control for cutoff / resonance | | | | | S-FILTER | improved quality | | | | | FREE-FILTER | continuously circular adjustable filter-type | | | fully modulateable (even type) | | | |
| | | EFFECTS | ALL | 6 simultaneously available effect units | | | new types: flanger, stereo-enhancer, parametric-eq, ping-pong delay, crusher | | | | | PING PONG | new delay with predelay and independent syncable left/right chanell | | CRUSHER | bit reduction and sample rate reduction effect with adjustable filter | | STEREO ENH. | to widen stereo panorama, works best with samples | | FLANGER | classical flanger effect in superb quality with additional pan modulation | | PARAM. EQ | parametric eq for further sound shaping | | | |
| | | MODULATION | ALL | 7 envelopes (Gen1, Gen2, Filter1, Filter2, Mod1, Mod2 and Main Amplitude) | | | 4 LFOs | | | sophisticated arpeggiator | | | many new modulation routings | | | | | MATRIX | extended to 10 modulation slots | | | each slot can be switched on/off | | | additional controls for velocity to Amp / Filter1 / Filter2 | | | | | LFOs | start phase adjustable | | | full Delay-Attack-Decay envelope per LFO | | | switchable Mono mode per LFO (LFO is shared among all voices in Mono mode) | | | | | ENVELOPEs | switchable linear / logarithmic curve | | | | | ARPEGGIATOR | up to 32 steps, each step with adjustable velocity, pause and hold | | | adjustable swing, adjustable note length, adjustable tempo from 1/1 to 1/64 note | | | many differend modes (up, down, up-down and variations, chord mode, random mode | | | available as modulation source in the matrix | | | adjustable mix of programmed and played velocity | | | |
| | | OTHER | 5.1 SUPPORT | dedicated 5.1 mixer | | | two generators, both filters and three of the fx units can be mixed in the 5.1 mixer | | | mixer settings are save with the preset | | | mixer fully automateable | | | stereo compatible (also works nice in a pure stereo environment) | | | | | EASY EDIT PAGE | allows preset bowsing and main adjustments without complex details | | | access to generator volume and filter routing via X-Y controller (automateable) | | | access to filter cutoff and resonance via X-Y controller (automateable) | | | selectable effect type and effect strnegth (wet) of each of the 6 effect units | | | | | PITCH BEND | seperately adjustable up and down range | | | | | PRECISION | adjustable precisicion (less precision means variations in timbre, volume etc) | | | | | GLIDE | three modes, Always-On, Held and Pitch-Bend | | | sitwchable constant time / constant rate mode | | | available as modulation source in the Matrix | | Presets | About 950 new presets from renowned sound designers as Junebug, Frank Xenox Neumann and Nico Herz. | | | |
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