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| | Each preset can now be made up of 4 individual layers. | | 
| | Each ADSFR Envelope now has 4 additional slope/curve settings. |
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| | Each layer features controls for Visibility, On/Off, Activity, Location, Name, Browse Previous, Browse Next, Load, Save, Volume, Pan, Note Offset (Transpose), Filter Control Source (Pitchwheel, Modwheel and Aftertouch), Key Range and Velocity Range. | | 
| | Both envelope types now have a Sync control which switches between Time and Sync modes. |
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| | Filter Saturation now has 4 different modes. |
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| | Wah wah effect, a envelope-following filter, not only for guitars | | 
| | Scream filter with very agressive sound, especially when resonance is cranked up. |
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| | Fully adjustable Compressor effect | | 
| | Comb filter with the unique sound of a classic comb effect |
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| | LoFi effect with bit reduction, sample rate reduction, filter and various modes | | 
| | Oscillator 2 can be used to modulate the cutoff of Filter1 (filter-FM) and Oscillator 4 can be used to modulate the cutoff of Filter2. |
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| | Enhanced reverb effect including controls for diffusion, modulation, modulation speed and a sync menu for the predelay time. | | 
| | The Bend Range control now has separate controls for Up/Down. |
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| | The cutoff-modulation-speed of the filter in the effects section can be synced to song tempo. | | 
| | Each Oscillator now has a Free-run mode. |
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| | Oscillator 1 can be used as an audio input so that external audio can be processed. | | 
| | The Analog Oscillator now features a sub-oscillator with adjustable intensity. |
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| | Each Oscillator now has its own Spread control. | | 
| | The Modulation Matrix now has 16 slots. |
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